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The Recursive Pizza is the work of artist John Riepenhoff. Officially titled Physical Pizza Networking Theory, it was created as part of a collage show at a Milwaukee art gallery.
Continue reading “Pizza Topped With Smaller Pizzas, and a Thick Layer of Pretentiousness”
Appetite: A Reciprocal Relationship Between Food & Design opened on September 14 in New York City. The exhibit at The Cooper Union focuses on how consumers perceive food and the way that design influences it.
“We as consumers are very adept at reading signs, even if subconsciously. We consume things visually before we consume them physically.” says curator Alexander Tochilovsky.
Stomach Allocation by lunchbreath is a good example of how a human might put a cow’s six stomachs to use. It really makes one think about how they would utilize all that storage space.
I would allocate my 5 extra stomachs thusly:
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Cupcake Crayons come to us via Etsy user zeebree. Surely crayons in the form of shiny cupcakes will not encourage crayon eating — nevertheless, they are made from delicious Crayolas and are non-toxic.
They are also made to order based on your color preference. In case blue is just too boring, and you run with the Burnt Sienna crowd.
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Cuddly Rigor Mortis is the work of artist Kristin Tercek. Inspired by her hand-sewn plush dolls, Tercek paints brilliant renditions of anthropomorphic foods with varying degrees of cuteness and brutality.